Mrs. Phillips’s thin hands were playing nervously with the bed clothes. There still seemed something that she had to say. As if Joan hadn’t thought of everything. Her eyes were fixed upon the narrow strip of light between the window curtains. “Don’t be so silly,” she cried. “There’s nothing going to happen. You’re going to get fat and well again; and live to see him Prime Minister.”!

“Why did you give it up?” asked Joan. “Enough for the two of them?” demanded Mr. Singleton. “Because he will want them. Now think before you speak.”

“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” She remembered a Sunday class she had once conducted; and how for a long time she had tried in vain to get the children to “come in,” to take a hand. That she might get in touch with them, understand their small problems, she had urged them to ask questions. And there had fallen such long silences. Until, at last, one cheeky ragamuffin had piped out: “I always come prepared to these scrimmages,” she explained. “I’ve got some Hazeline in my bag. They haven’t kicked you, have they?”